Born in 1967 in Mannheim, Germany, Bing graduated with distinction from high school in Offenburg. Subsequently, she studied fine arts, painting, photography, art history, German, and literature at Johannes Gutenberg-University and the Academy of Fine Arts in Mainz, again graduating with distinction. Following her education, she worked as an associate professor for the Bavarian Ministry of Culture in cooperation with the Academy of Fine Arts in Munich, and the Bavarian Chamber of Architects until 2002. Bing focused on design, architecture, aesthetic perception and digital media to promote visual literacy. Stephanie Bing studied painting in the master class of internationally renowned art professor Klaus Jürgen-Fischer at the Academy of Fine Arts in Mainz and photography in the master class of Professor Dr. Vladimir Spacek from Prague.

Stephanie Bing’s work explores the intersections of design, architecture, and aesthetic perception, with a strong emphasis on visual literacy. Trained in painting, photography, art history, and literature, she studied at Johannes Gutenberg University and the Academy of Fine Arts in Mainz, later teaching in collaboration with the Bavarian Ministry of Culture before fully dedicating herself to her artistic practice. Her paintings, characterized by bold compositions and a keen sensitivity to form and space, have been exhibited internationally. Bing has presented solo exhibitions in Paris and Basel and has been featured in major art fairs in Miami, Venice, and London. With a presence on the international art market, her work continues to engage global audiences, reflecting a dynamic synthesis of artistic research and contemporary visual culture.

The viewer’s gaze falls on a seemingly foreign environment, an inner world otherwise hidden from him, in reality close-ups, through the objects of nature, events like objects, become something else, to indefinable spatial arrangements, ordered or disordered, visible micro-worlds, which Stephanie Bing likes to juxtapose with real photographed objects with similar texture and physical appearance, in order to consciously irritate and challenge the viewer. And last but not least: The delicate structures discovered in this way with artistic aesthetics, despite the non-corresponding creative periods of the artist, can be found in her abstract painting, where they become a microcosm derived from figurative elements and at the same time an abstracted image of nature.